The song is from their fourth album called “Don’t Go Down To The Water”. I have been wanting to do something with their music for a while now and I felt like this seemed like a good opportunnity. I decided to take a bunch of the shots that I’d collected over the period of the 365 days of creativity and make my own datamoshing video. I, of course, had to do a bit of experimenting myself. It’s pretty awesome because all the software to do your own datamoshing videos is completely free. He replied and linked me to a series of video tutorials that explained how. Well, I commented on Jason’s video and asked how he did it. It’s a surreal effect that can be hard to explain. Then, instead of glitching back to the next shot, its as if the next shot appears to be wearing the information from the previous shot.
Your watching TV and then suddenly the image freezes. Now that television transmissions have gone completely digital you have probably seen this effect before. I noticed a particular effect in it that I have always wanted to recreate but never knew how. Translates: Jungle wind, ocean waves extending as much as they. This process can lead to some very cool and unique glitch effects that have been used to various degrees within different mediums to create an interesting and unique effect.A little while back I was perusing vimeo and I came across t his really cool video by Jason Drew. A fine Data-Mosh-Trip, Metal Fence with Dry Leaves from Spanish video artist Mateo Amaral. What results is a new video moving based on another videos directions or an image from the same video where the pixels go in directions they’re not suppose to. What datamoshing does is it gets rid of the new full picture frames and instead only keeps the frames that tell the pixels where to go. This process allows for much smaller file sizes for videos as well as allowing datamoshing. So what many formats do is simply tell the old pixels on the screen where to go to make the new picture instead of creating a whole new picture. If you think about it a lot of the frames in a video are just a very similar picture with slight differences. So what the developers of modern video formats did was only have full pictures when absolutely necessary. Most videos very between 24 and 60 frames per second and as you can imagine having 60 pictures for only one second of a video would take up a huge amount of space. To achieve this goal they have developed some clever techniques that can look very cool when they don’t work as they should.
Modern video formats have been designed in such a way as to minimize the storage they take up while maximizing things like resolution and frame rate.
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